— James R. Oestreich,
The New York Times
|
"The Camerata play with distinction under the intelligent shaping of Douglas Boyd" Read More...— Stephen Pettitt,
The Sunday Times
|
"Gál is truly worth rediscovering ; Woods's recording project for Avie has intrigued and delighted me and I'm only left wanting more." Read More...— Andrew Mellor,
Classic FM Magazine
|
"a committed performance of a work that grows on me with each hearing ... warmly recommended." Read More...— Guy Rickards / Andrew Mellor,
Gramophone
|
"sheer fun ... plenty of exhilarating swagger when required ... sensational" Read More...— Graham Rickson,
theartsdesk.com
|
"an arresting release ... luminous interpretive vision" Read More...— Jay Harvey,
Indianapolis Star
|
"Avie continues its outstanding work on behalf of the music of Hans Gál ... a performance demanding to be heard" Read More...— Colin Anderson,
ClassicalSource.com
|
"Avie continues its outstanding work on behalf of the music of Hans Gál ... a performance demanding to be heard" Read More...— Colin Anderson,
ClassicalSource.com
|
— Gary Lemco,
Audiophile Audition
|
"dream team ... Petrenko delivers terrific pace and imagination, combining drama and sensitivity ... [Trpceski] can dance and dream, cry and console to the demands of the music with subtlety and style." Read More...— Jane Jones,
Classic FM Magazine
|
"Avie Records operates a unique business model based on artist ownership..." Read More...— IODA,
IODA
|
— Victor Carr, Jr.,
ClassicsToday.com
|
"thrusts the instruments forward, starting with Ms. Sorrell's harpsichord. The women and, eventually, men sing beautifully" Read More...— James R. Oestreich,
The New York Times
|
"Kenneth Woods leads performances both authoritative and generously expressive" Read More...— Scott Cantrell,
Dallas Morning News
|
"another cracking collection of concertos, and the variety is gripping" Read More...— Jonathan Wikeley,
The Classical Review
|
"animation, resilience, good sense, and passion ... a winning combination." Read More...— John J. Puccio,
Classical Candor
|
"hats off to conductor Kenneth Woods and his Orchestra of the Swan ... Here's hoping this is the beginning of a substantial Gal revival." Read More...— Tom Huizenga,
National Public Radio - All Things Considered
|
"presses the right buttons in terms of wisdom, wonder, resignation and regret ... Highly recommended" Read More...— Peter Reed,
ClassicalSource.com
|
"excellently packaged and delivered ... first-class" Read More...— Stephen Pettitt,
The Sunday Times
|
— Andy Gill,
The Independent
|
"everything here played to a crack standard ... this is the least hackneyed Vivaldi program I've seen in some time" Read More...— Michelle Dulak Thomson,
San Francisco Classical Voice
|
— John Fleming,
St. Petersburg Times
|
— Edward Ortiz,
Sacramento Bee
|
— John J. Puccio,
Classical Candor
|
"outstanding ... captivating ... perfection ... a meeting of dazzling musical minds." Read More...— Hugh Canning,
The Sunday Times
|
a "beautifully judged and articulated performance" Read More...— Anna Picard,
Independent on Sunday
|
— David Kettle,
The Strad
|
"Latham-Koenig certainly rouses his Strasbourg players to alternately silken and impassioned heights ... Remarkably clean-sounding this disc, refreshed in its sonics enough to warrant audiophiles to hear it" Read More...— Gary Lemco,
Audiophile Audition
|
"a scorching performance ... a brilliant collaboration." Read More...— Craig Zeichner,
Ariama
|
— Julie Amacher,
Minnesota Public Radio: New Classical Tracks
|
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