"This stellar debut album by American tenor Nicholas Phan is a total pleasure on all fronts"
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— Anastasia Tsioulcas,
NPR
"Harry Bicket and the players of the English Concert are hand-in-glove partners to the vocal wizardry."
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— Michael Dervan,
The Irish Times
"a total pleasure on all fronts
... one of the best recitals I've heard this year ...
and it marks Phan's entry as an artist who must be heard."
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— Anastasia Tsioulcas,
NPR
"this magnificent recent disc ... unfailingly beautiful ... ingenious programming"
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— Joshua Kosman,
San Francisco Chronicle
— Hugh Canning,
The Sunday Times
"highly personal and brilliantly played performances"
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— Hugh Canning,
The Sunday Times
"a stimulating calling card for Nicholas Phan, a stylish young tenor for whom great things lie ahead"
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— Steve Smith,
Time Out New York
— Charles T. Downey,
Ionarts
"This was the best recital I've heard this season."
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— Robert Battey,
The Washington Post
"a selection of exceptional classical releases from 2011"
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— Alex Ross,
The New Yorker
For Hadelich, these are all works that recall Paris, "you can hear how they influence each other. You can hear a little bit of Debussy in Stravinsky and Poulenc"
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— Laurie Niles,
Violinist.com
"Bicket's English Concert supplies luxury, stylish accompaniments"
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— Hugh Canning,
The Sunday Times
"The celebrated John Wilson brings his interpretive magic to bear on these pieces ... the RLPO gently draws out every subtlety"
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— Anna Britten,
Classic FM Magazine
"clearly the work of a Bach genius ... an emotive, beautiful performance"
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— Charlotte Gardner,
Classic FM Magazine
"superb ... excellent all-round performance"
* * * * *
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— Adrian Horsewood,
Early Music Today
Editor's Choice: "elegant panache by The English Concert"
* * * * *
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— Graham Lock,
Early Music Today
— David Vickers,
Gramophone
— Gary Lemco,
Audiophile Audition
"a potent brew ... the pianist does them superbly"
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— Michael Church,
The Independent
"the gifted Korean pianist ... A brave and challenging debut."
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— Andy Gill,
The Independent
"These bleakly beautiful, sometimes satirical and stunning settings of eight Thomas Hardy poems prove ideal for Nicholas Phan, the sweet-voiced young tenor"
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— Anthony Tommasini,
The New York Times
"the excellent Cleveland group Apollo's Fire ... a new kind of sound"
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— Russell Platt,
The New Yorker
" one cannot overlook the musical accomplishment of the choir. They perform with refinement and distinction throughout"
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— John J. Puccio,
Classical Candor
— Anna Picard,
Independent on Sunday
"the 25-year-old pianist is heading in only one direction..."
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— Sarah Kirkup,
Gramophone
— Alex Ross,
therestisnoise.com
"graceful, mellifluous ... sharp intelligence, poetic insight and a confident individuality ... exquisitely artful."
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— Stephen Pettitt,
The Sunday Times
— George Hall,
The Guardian
"Throughout the night one joy was constant: the ensemble spirit and iridescent colours of the English Concert, directed by Harry Bicket."
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— Geoff Brown,
The Times
"The tenor Nicholas Phan says that he's as American as dim sum and souvlaki."
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— Brian Wise,
WQXR